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	<title>Troy Gilbert &#187; Music</title>
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	<link>http://troygilbert.com</link>
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		<title>Monkey: Journey To The West</title>
		<link>http://troygilbert.com/2008/10/monkey-journey-to-the-west/</link>
		<comments>http://troygilbert.com/2008/10/monkey-journey-to-the-west/#comments</comments>
		<pubDate>Sun, 05 Oct 2008 06:50:03 +0000</pubDate>
		<dc:creator>Troy</dc:creator>
				<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://troygilbert.com/2008/10/05/monkey-journey-to-the-west/</guid>
		<description><![CDATA[Monkey: Journey To The West (the album) from the team behind Gorillaz. Cool. Tweet]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.monkeyjourneytothewest.com/the-album/">Monkey: Journey To The West (the album)</a> from the team behind Gorillaz. Cool.</p>
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		<title>How Music and Editing Can Affect Tone</title>
		<link>http://troygilbert.com/2008/06/how-music-and-editing-can-affect-tone/</link>
		<comments>http://troygilbert.com/2008/06/how-music-and-editing-can-affect-tone/#comments</comments>
		<pubDate>Wed, 18 Jun 2008 16:29:07 +0000</pubDate>
		<dc:creator>Troy</dc:creator>
				<category><![CDATA[Movies]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://troygilbert.com/?p=110</guid>
		<description><![CDATA[In case you believe the tone of a film comes entirely from the actors, the writer or the director&#8230; behold, the power of editing and music: Requiem For A Day Off. I don&#8217;t think it&#8217;s a coincidence that The Usual Suspects, a movie with nearly perfect tone and pacing (IMHO), was both scored and edited [...]]]></description>
			<content:encoded><![CDATA[<p>In case you believe the tone of a film comes entirely from the actors, the writer or the director&#8230; behold, the power of editing and music: <a href="http://www.youtube.com/watch?v=4Vy2aJY6rq8">Requiem For A Day Off</a>.</p>
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<p>I don&#8217;t think it&#8217;s a coincidence that <a href="http://www.imdb.com/title/tt0114814/">The Usual Suspects</a>, a movie with nearly perfect tone and pacing (IMHO), was both scored <em>and</em> edited by <a href="http://www.imdb.com/name/nm0653211/">John Ottman</a>.</p>
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		<title>Rhapsody</title>
		<link>http://troygilbert.com/2007/01/rhapsody/</link>
		<comments>http://troygilbert.com/2007/01/rhapsody/#comments</comments>
		<pubDate>Sat, 20 Jan 2007 00:20:05 +0000</pubDate>
		<dc:creator>Troy</dc:creator>
				<category><![CDATA[Music]]></category>
		<category><![CDATA[Web Dev]]></category>

		<guid isPermaLink="false">http://troygilbert.com/2007/01/19/rhapsody/</guid>
		<description><![CDATA[I've found exactly what the title says: <a href="http://www.rhapsody.com/">Rhapsody</a>. A subscription music service from Real Networks. Yes, Real. I hated them as well. The Real Player was always updating itself, spewing messages, nagging me... it basically felt like high dollar spyware. I would avoid the format on the net like the Plague. I would *skip* seeing something cool on the net to avoid installing RealPlayer. Of course, <a href="http://www.google.com/search?q=hate%20realplayer">I wasn't the only one...</a>]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve found exactly what the title says: <a href="http://www.rhapsody.com/">Rhapsody</a>. A subscription music service from Real Networks. Yes, Real. I hated them as well. The Real Player was always updating itself, spewing messages, nagging me&#8230; it basically felt like high dollar spyware. I would avoid the format on the net like the Plague. I would *skip* seeing something cool on the net to avoid installing RealPlayer. Of course, <a href="http://www.google.com/search?q=hate%20realplayer">I wasn&#8217;t the only one&#8230;</a></p>
<p>But, happy to report, Rhapsody doesn&#8217;t install/require RealPlayer (though it will RealAudio, I believe). That&#8217;s the principal reason I&#8217;d never even looked at the software, though <a href="http://www.yicfyc.com/">my brother</a> had raved about it for quite some time.</p>
<p>Well, last weekend I had long programming session in front of me and no desire to dig through my same library of albums in iTunes that I&#8217;d been staring at for the last year. My usual first stop is to <a href="http://last.fm/">Last.fm</a>. Definitely my favorite web 2.0 radio station. I&#8217;ve even donated/subscribed for the year to get a bit more control and features. I tried <a href="http://www.pandora.com/">Pandora</a> (and pre-paid a year for $35, I think) when it first debuted (before I discovered last.fm, though I know last.fm was first). Its cool, too, and the more academic approach (as opposed to the census-style population sampling of Last.fm) is a fresh alternative &#8212; sometimes.</p>
<p>The problem with both is that you lack direct control over what you&#8217;re listening to, or rather you lack on-demand control. You can only influence and guide the music selection. I can&#8217;t jump straight to a particular album and track and play that whenever I want. With Rhapsody, I can.</p>
<p>Rhapsody gives the user a huge online library (millions of songs) that you can browse through and listen to on-demand. They also have the &#8220;channels&#8221; that are editorial crafted to fit certain criteria, e.g. 70&#8242;s Power Ballads, and they have an great implementation of playlists.</p>
<p>The playlist is a great thing. Its the modern day version of the mix tape. And on Rhapsody, you can leverage the &#8220;always on&#8221; nature of the application to share your playlists with other users (by e-mail, IM, URL, etc&#8230;) as well as throwing them on the pile for the general public. Users can rate playlists and the best in certain genres rise to the top. They also have &#8220;editorial&#8221; playlists presented by celebrities, musicians, music critics, site editors and music labels.</p>
<p>Rhapsody does a really good job of staying focused on one thing: the music. They effectively introduce all of the social networking elements while never letting the people get in the way. I know that sounds harsh, but its true. We can adopt (and adapt) a lot of important relational power from the mechanisms fine tuned in the world of MySpace, Facebook, et al. These ultra mainstream sites are teaching a lot of powerful organizational functions to the average web user. The ones who are doing it wrong are taking MySpace and sticking feature X in place of the bands: videos, games, shopping, TV shows, music. The ones who are doing it right, like Rhapsody, maintain a focus and keep the users on the sidelines, where they honestly belong (or rather, behind-the-scenes).</p>
<p>In other words, its very satisfying to live in a social space, but I don&#8217;t necessarily want to wade through the egos and personalities every time. With Rhapsody, music (at its core, a single track/song) is the participant in the social network. Us fans are just along for the ride! ;-)</p>
<p>So, these are great features, but probably what you&#8217;d expect (its basically iTunes with a giant library on the net). Its subscription vs. possession. But the main reason I usually have a problem with subscription web services is that they&#8217;re useless without the web. Sure, I may not be without the web much these days when using a computer (my e-mail is web-based as well), but for my music&#8230; well, I want to be able to listen to it *anytime* or anywhere I&#8217;ve got a wall outlet or a battery. Like my iPod, or the MP3 ripped to my desktop.</p>
<p>Well, Rhapsody allows you to &#8220;cache&#8221; any or all of your library to disk. I believe they use WMA DRM to &#8220;secure&#8221; the music. Which you know what? That&#8217;s fine. I can&#8217;t put it on my iPod. I can&#8217;t copy it to a CD and drop it in the mail to a friend. But *I* can listen whenever I want. And I&#8217;m fine with that limitation because its only $15 a month.</p>
<p>So, Rhapsody is radio on demand. And its a better iTunes. If I want to own music, I&#8217;ll buy the CD off of Amazon. If I just want to listen to music, I&#8217;ll look it up on Rhapsody.</p>
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